Cirrus Suspension D1 24VDC with Power, End Feed
Cirrus Power Suspension Downlight with a 24VDC Power Supply in the Canopy is a linear LED fixture that offers direct light in a clean, contemporary style. Cirrus is available in various increments from 12" - 420" (35'), with a 100º White Diffused Lens or 60º Clear Frosted Lens, optional Black or White Louver, and a variety of finishes, and Color Temperatures with Warm Dim options. Fixture includes a 5 year pro-rated warranty. For custom designs, quotes and layout assistance, email our design@PureEdgeLighting.com .
Cross-References
Top equivalents — 12 across 12 brands
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Solais’ bi-pin linear luminaires are designed for use in commercial refrigeration applications. Approved for packaged and open food cases, these linears feature rotatable endcaps for aiming and allow for daisy chain installation off one power supply.
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The PrentaLux Architecture Research Office Series Pendants are a celebration of form, translucency, and texture. Designed in collaboration with award-winning Architecture Research Office (ARO), these three high-performance decorative luminaires, each with a unique shape, were inspired by natural metamorphic forms. Additive-manufactured with a sustainable use of resources in mind, these striking pendants are available in three sizes and a variety of textures. They can be used individually or grouped in complementary arrangements – perfect for both large public spaces and intimate settings.
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The cylindrical Juno Trac-Lites™ R605L Series with Canopy Mount option is compact in size but big on performance – producing upwards of 1,000 lumens from only 10.5 watts. With a bevy of options and
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Born from a love of color, these striking pieces draw inspiration from the rich hues and undulating topography of Southern California. Alternating layers of opaque and transparent colors are applied to clear glass. Overlaps create opportunities for new colors to be formed, which adds to the depth of each piece. The intense color is then complemented by the simple shape. No molds are used, and each shape is unique. Hand blown and shaped in lead free crystal. Designed by Caleb Siemon & Carmen Salazar. Made in California. Signed. View / Download Tearsheet SPECSDimensions*: 9.0” Ø, 8.5” HMaterials: glass, metalProduct weight*: 5.5 lbsLight source: medium base E26 socket**Lamping: E26 base, G25 lamp, 40 W max250 V AC MaxRound canopy with cloth covered SJT-3 CableCanopy dimensions: 5” Ø, 0.3” Field adjustable drop length: 0’6” min - 6’0” maxCanopy finish matches Metal Finish.Suitable for sloped ceilingsUL listed for damp locationsC-UL-US | BAA GLASS FINISHStone (GL-122)Aqua (GL-051)Cranberry (GL-041)Borrego (GL-241)Amber (GL-053) METAL FINISHSatin NickelBrushed BrassDark BronzeBlack CORD COLORBlack ClothTaupe ClothSilver Cloth LAMPINGNo BulbG25 LED bulb included - 2700 K, 90 CRI, 3.8 W, 350 lumens, 120 V AC * Each piece of hand-blown glass is a unique work of art. Dimensions, weight, and color will vary. When multiple fixtures are installed next to each other, expect some variation in shape and color. ** Alternate voltages and socket types are available upon request.
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Ory offers widespread, energy efficient lighting from a luminare just 1" high x 2.5" wide. A remote driver, accessible through the suspension canopy...
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Nine large white glass globe pendants are spaciously suspended from a square 24” canopy. Finishes: Matte Black, White, Polished Chrome, Other (Special Order)Sizes: 24inCCT: 27K, 30K, 35K, 40K
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- wattage: 100W → 18W
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Effortlessly group Pavos into a cohesive design element with this beautiful cluster. Comprised of your choice of three or five luminous cylinders on a single canopy array...
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- beam_angle: 90° → 19°
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The AVVENI CEILING 2 ASYMMETRICAL as a surface-mounted ceiling light - a canopy with a branch with two arms to each of which a movable round, flat light head is flexibly attached, can be adjusted to provide direct or indirect lighting. TYPE 2 as a height-adjustable telescopic version with customisable ceiling spacing. Ideal for modern interior design.
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The track pack comes complete and ready to install with mounting hardware and track heads. Components include (1) 4’ single circuit track, (2) end caps, (1) floating canopy feed, and (3 or 4) 2450lm MAX LED track heads. The practical style fits almost any design criteria. Input Voltage: 120V Finish: Black or White Lumens / Wattage Per Head: Up to 2450lm / 25W Color Temperature: 2700K, 3000K, 3500K or 4000K Color Rendering Index: 90+ CRI Beam Spread: 20° Spot, 32° Narrow Flood or 54° Flood Included: NT-302 (4' Track) NT-307 (Floating Canopy Feed) NT-318 (Dead End Caps) NTE-865 (MAX LED Track Heads)
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- voltage: 24DCV → 120V
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The trumpet-shaped top shade provides illumination of the area above the three lower shades, which primarily direct the light downwards. A base reflector and a blue glare ring protect against glare from all angles. The strongest light is directly under the fixture. The shades have a matte white painted finish to ensure very comfortable lighting. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture that could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade fixture was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 1940s, but was redesigned in 1979 by Danish architects, Sophus Frandsen and Ebbe Christensen, for the Charlottenborg exhibition building in Copenhagen (although in a larger size: PH 6½/6). To resolve the never ending glare problem, the two architects decided to add a small blue shade to the design. They also included a new surface with a more matte, white painted shade, to achieve a more even, comfortable light, ideal for museums and exhibition rooms or as general lighting in rooms with high ceilings. A smaller version, the 5/4½, was created for the Aarhus Concert Hall in 1984.
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- wattage: 100W → 22W
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With a 2700K glow that reflects off its backplate, the Alcor vanities come in a range of sizes and finishes to complement any bathroom design. Elevate your space with the Alcor collection.
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Design: Companion to ID+ 3.5" Downlight family. Sleek, solid housing. Nominal 4" & 7" standard housing heights. Standard white, black, palladium silver or custom RAL value for housing, stem, and canopy. Available with The Naturals, a series of nature-inspired finishes. Performance: Narrow to super wide flood distribution options. 50° or 60° cut-off for brightness control and visual comfort. Super Short Cone with Solite lens (75° cut-off) for uniform light output and beam spreads from 26° to 91°. Clear or warm diffuse reflector. Two warm dim spectra mimic the black body curves of halogen and incandescent light sources. Three tunable white ranges enhance spaces, mood, and alertness. Standard white light temperatures from 2700K to 4000K at 80, 90, or 97 CRI. Application: Designed for a wide variety of applications including offices, conference rooms, hospitality, healthcare, and residential environments. Gasketed wet location option suitable for indoor environments and outdoor covered ceilings. Provides a cohesive light quality and common design language when used in combination with ID+ 3.5" Downlights. Shallow, decorative shallow, power, decorative power, and mini power canopies support finished or open ceiling configurations. Low-voltage, PoE compatible option.
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